Obviously any video editing app needs transitions and there are numerous transition options. There are then automatic or manual adjustments for the track. Audio sweetening makes use of Adobe Sensei technology and can detect, for example, whether voice or music is the featured component of the clip. If you choose not to use templates, all versions have color sliders and other paremeter adjustments. Color correction uses the Lumetri engine and not only are there pre-sets, it is also possible to create pre-sets to apply to other footage. There is strong leverage of Adobe technologies in post-production features of Rush CC editing. While not functional in the pre-release demo, Adobe reps touted title templates created in Premiere Pro as well as the ability to create and save templates. In addition to captured and cloud-stored video, users can import any video, audio or images that reside on their specific device. The greater screen real estate of the demo iPad provided a much easier edit than the iPhone demo, but the experience on both is fast tactile editing and trimming. Of course, you can also edit your sequence on your mobile device.
This means that after creating a project on an iPhone, for example, that project will be available to edit on your Windows or Mac CC-subscribed computer. Files can be stored on your local device with an option to sync to Creative Cloud. Premiere Rush CC allows acquisition of video on your mobile device - in this case I was shown both iPhone and iPad capture.
I had the opportunity of previewing an almost-finished product and with the release announcement, can now share a few observations. Now officially titled Adobe Premiere Rush CC, the product is available for download immediately. After months of previews of Adobe’s device independent and cloud based acquisition/production platform codenamed Project Rush, Adobe has finally announced the product at the beginning of the Adobe Max conference.
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